Neele, Adriaan C.
In Before Jonathan Edwards, Adriaan Neele seeks to balance the recent academic attention to the developments of intellectual history after Jonathan Edwards. Neele presents the first comprehensive study of Edwards's use of Reformed orthodox and Protestant scholastic primary sources in the context of the challenges of orthodoxy in his day. Despite the breadth of Edwards scholarship, his use of primary sources has been little analyzed. Yet, as Neele proves, Edwards's thinking on the importance of these primary sources has significant implications not only for the status of the New England theology of pre-Revolutionary America but also for our understanding of Edwards today.
This volume locates Edwards's ideas in the context of the theological and philosophical currents of his day, as well as in the pre-modern exchange of books and information during the colonial period. The pre-Revolutionary status of theology and philosophy in the wake of the Enlightenment had many of the same problems we see in our theological education today with respect to the use and appropriation of classical theology in a 21st-century context. Ideas about the necessity of classical primary sources of Christianity in sustaining our theological education are once again becoming important, and Edwards offers many relevant insights. Edwards was not unique in his deployment of these primary sources; many New England pastors, including Cotton Mather (1663-1728), preached and wrote about the necessity of orthodox theology. Edwards's distinction came in his thinking about the issues set forth in these sources at a transitional moment in the history of Christian thought.
Table of Contents:
Introduction: Early New England and the Early Modern Era
1. Jonathan Edwards and the Protestant Scholastics
2. Sources of Christian Homiletics
3. Sources of Biblical Exegesis: An Ecumenical Enterprise
4. Sources for the Formulation of Doctrine: Continuity and Discontinuity?
5. Sources of History as Theology
Adriaan C. Neele is a Research Scholar, Jonathan Edwards Center at Yale University and Director of the Doctoral Program and Professor of Historical Theology at Puritan Reformed Theological Seminary. He is the author of The Art of Living to God and Petrus van Mastrich: Reformed Orthodoxy and Piety.
"Neele's encyclopedic treatment of one of the most important sources of Jonathan Edwards's New England Theology is must reading for specialists in early modern Protestant thought. Building upon his earlier work on the Dutchman Peter van Mastricht, Neele has laid out and summarized the Latinate Reformed bibliography in Edwards's world, demonstrated continuities and discontinuities between Edwards and the work of his Reformed antecedents, and thus underscored Edwards's place in early modern Western Christian intellectual history. This will be an essential handbook for scholars like me for years to come." - Douglas A. Sweeney, author of Edwards the Exegete
"Adriaan Neele's book is a real eye-opener. It reveals Edwards's relationship with New England Theology, Puritanism, the Dutch 'Nadere Reformatie', German Pietism, spirituality of the Middle Ages, and High and Late Orthodoxy. At the same time, it shows his interaction with modern sciences, philosophical structures, and cultural developments. Neele's awareness of Edwards's amazingly complex theology and spirituality will undoubtedly lead to new impulses for research in Edwards and the understanding of his catholic character." - Willem van Vlastuin, Chair of Theology and Spirituality of Reformed Protestantism, Free University of Amsterdam
"Restlessness is endemic to our age, but in Edwards's preaching and pastoring we find deep and satisfying theological roots. In this book, Neele helps us uncover the ways in which the sage from Northampton found spiritual nourishment to pass on to others, highlighting his trans-Atlantic context, favourite authors, and integrative spirituality. Though at first this seventeenth-century world may feel strange, rest assured that it will be balm for the soul." - Rhys Bezzant, author of Jonathan Edwards